English

“G for Gustav, F for Frankreich, and K for Karajan!” instructed maestro Alain Altinoglu as he conducted a ‘symphonic mob’ rehearsal in the middle of a lovely park in Bad Kissingen, a spa town in Bavaria.

Each time Annie Fischer performed the works, she almost recreated them, which made it difficult to record as much of them as her art would otherwise have deserved. 

During the mid-June “Ring of the Nibelungen” produced in Müpa Budapest’s Wagner Days Festival, this visceral reaction phenomenon happened to me repeatedly throughout my four nights of attending this masterpiece of musical mythology.